“Tel’aran’rhiod” focuses on the World of Dreams, where Egwene discovers her natural talent for dreamwalking under Aiel guidance. We see our first glimpse of the Sea Folk, Perrin leads a rescue mission, and Moiraine and Siuan share an emotional reunion. Our review and recap capture these wonders, and more!
Spoilers ahead for The Wheel of Time Season 3 Episode 5!
Content Note: This review discusses psychological trauma, dream manipulation, torture scenes, execution, and depictions of violence, including harm to women and children. It references complex grief, infidelity, and psychological manipulation.
The Wheel of Time Season 3 Episode 5 Recap
Dawn breaks over the Aiel Waste as Moiraine (Rosamund Pike) channels through the Sakarnen, the powerful crystal sa’angreal recovered from Rhuidean. The One Power flows through her with overwhelming intensity, carving spiral patterns into the desert below. When Lan (Daniel Henney) interrupts her, questioning what she’s experienced, he describes the sensation through the bond as “euphoric.” His concern over what Moiraine witnessed in Rhuidean’s rings remains unanswered.
Rand (Josha Stradowski) journeys with Rhuarc (Björn Landberg) and the Wise Ones toward Cold Rocks Hold, the seat of the Taardad Aiel. Bair (Nukâka Coster-Waldau) and Melaine (Salóme Gunnarsdóttir) discuss contacting other Wise Ones through dreams but acknowledge that some clans, like the Shaido, may reject Rand as Car’a’carn. Much to her dismay, the Wise Ones order Aviendha (Ayoola Smart) to remain constantly at Rand’s side, teaching him Aiel ways as part of her own training.
Upon arrival, Rhuarc introduces his second wife, “roofmistress” Lian (Nicole Sherwin), and his greatdaughter Alsera (Julie Van Leeuwen). The young girl excitedly asks if Rand is truly the Car’a’carn, and he confirms by showing her the twin dragon markings on his arms. While Rand engages playfully with Alsera, Bair invites Egwene (Madeleine Madden) to “walk the Dream” with them.
In the White Tower, Elaida (Shohreh Aghdashloo) arrives at Siuan’s office, criticizing the Amyrlin’s leadership and announcing plans for a vote in the Hall to “cage the Dragon Reborn.” Their bitter exchange reveals personal animosity.
Siuan (Sophie Okonedo) meets with Verin (Meera Syal) and Leane (Jennifer Cheon Garcia) to discuss the threat. They use Verin’s addled sister, Adeleas (Nila Aalia), to lure Elaida into revealing Darkfriend ties. Adeleas reveals to Elaida that the captured Black Ajah Aes Sedai are being kept in the Thirteenth Depository.
In the Two Rivers, preparations for a Whitecloak rescue mission are underway. Perrin (Marcus Rutherford) plans to rescue Mat’s family from captivity with his companions. When he tries to exclude Faile (Isabella Bucceri) from the mission, she holds a knife to his throat, insisting on joining. Bain (Ragga Ragnars) and Chiad (Maja Simonsen) support her, leaving Perrin no choice.
Alanna (Priyanka Bose) and her remaining Warder, Maksim (Taylor Napier), are at odds when he challenges her involvement in the rescue. She tells Maksim he is “not enough,” before revealing she intends to raise an army from the Two Rivers, believing the region produces exceptional individuals like the Dragon Reborn, and powerful channelers such as Nynaeve and Egwene. Maksim doesn’t buy the argument and announces he’s leaving to hunt Liandrin instead. Alanna switches off their Warder bond, allowing him to depart.
During a meal, Aviendha reluctantly instructs Rand on Aiel customs, correcting him when he eats with the wrong hand. When Rand suggests she doesn’t have to talk to him, Aviendha explains that Aiel politeness requires speaking to those sitting beside you during meals. Aviendha expresses surprise that wetlanders don’t share lovers, remarking “that is a lot to ask of one person” and adding “poor Egwene.”
Egwene learns the basics of Tel’aran’rhiod from Bair and Melaine. They explain that the Dream World differs from ordinary dreams, with thoughts manifesting as reality. Death there means death in the waking world. They ask Egwene not to enter again without permission, and she accepts the instruction. The Wise Ones set a candle with a brass pin as a timer to pull Egwene from Tel’aran’rhiod if needed.
During her first attempt, Egwene’s clothes morph into golden armored robes. After being told to control her thoughts, Egwene finds herself in Tar Valon, where she encounters ghostly figures drifting in and out of the Dream. There, she is attacked by Lanfear (Natasha O’Keeffe), who throttles her until she is pulled out of Tel’aran’rhiod by the brass pin. The Wise Ones reveal that Lanfear is one of the “Shadowsouled”—what wetlanders call the Forsaken.
Nynaeve (Zoë Robins), Elayne (Ceara Coveney), and Mat (Dónal Finn) are bound for Tanchico aboard a Sea Folk vessel. Nynaeve suffers from extreme seasickness while Elayne researches their destination. Restless after two weeks below deck, Mat takes them on deck against orders. Mat discovers Min (Kae Alexander) is also aboard, while Elayne notices they’re traveling impossibly fast.
While seeking refuge from his companions, Mat discovers Min’s drawings, including a sketch of himself hanging. Min explains that these are her visions that she’s trying to remember in detail to prevent them from coming true. Mat dismisses the vision, reminding her that he didn’t kill Rand as she had previously foreseen.
Elayne and Nynaeve witness a Windfinder channeling massive weaves to accelerate their journey. The Sailmistress Coine (Dany Verissimo-Petit) allows them to remain on deck after extracting a promise of secrecy about their Windfinders’ abilities. She offers Nynaeve insight about channeling—that it cannot be controlled but must flow naturally like the sea.
The group arrives in Tanchico, where Min warns them about the city’s dangers as they disembark. They pass by a hanged man who eerily resembles Min’s drawing, unsettling Mat.
At the Whitecloak camp, the Cauthon women—Natti (Juliet Howland) and daughters Bode (Litiana Biutanaseva) and Eldrin (Lilibet Biutanaseva)—are imprisoned. When Questioner Valda (Abdul Salis) threatens them, Dain Bornhald (Jay Duffy) initially intervenes. Yet, when Natti attempts to steal his keys, one of the daughters uses the One Power to blast Dain across the tent. Natti claims responsibility to protect them, and Dain delivers her to Valda for questioning.
That night, Perrin’s rescue team infiltrates the Whitecloak camp under the cover of fog created by Alanna’s channeling. They successfully free the Cauthon daughters, but Perrin discovers Natti has been executed—burned at the stake. In the ensuing conflict, Perrin is seriously wounded by Dain, and Faile throws a knife into Dain’s chest before helping Perrin escape.
Alanna is ambushed by Whitecloaks and struck by multiple arrows. Maksim, who senses her danger, returns to rescue her. He kills several Whitecloaks before being injured himself, then carries Alanna away, telling her she turned the bond back on “five arrows ago.”
At Cold Rocks Hold, Lan builds rapport with Melindhra (Synnøve Macody Lund), an Aiel woman of Malkieri heritage. Lan expresses remorse that he has no memories of his homeland, while Melindhra shares her recollections of Malkieri culture—the festivals, poetry, and dancing. When Lan asks what she misses most, she replies, “Laughter.”
The Warder joins Moiraine, who reveals a truth she learned in the rings of Rhuidean: she won’t be present at the Last Battle. She explains that Rand dies in every future where she lives, and he only survives if she doesn’t. Lan comforts her, reminding Moiraine to focus on the present, and they drink Aiel oosquai together.
In Tel’aran’rhiod, Rand meets with Lanfear, who reveals she has been observing his dream visits to the Two Rivers. She professes her love for him, both for his desire to save the world and his understanding that it must be broken. Despite his knowledge of her true identity and history from his Rhuidean visions, Rand kisses her.
In the White Tower’s Thirteenth Depository, Elaida confronts the captured Black Ajah sisters, Amico (Zenobia Kloppers) and Joiya (Joelle). After slitting Amico’s throat with the One Power, she tortures Joiya for information about other Black sisters. The interrogation is interrupted by a Gray Man—Jaichim Carridin (Jared Doreck)—who kills Joiya and attacks Elaida. Siuan and Leane arrive in time to save the Red Sister. Elaida realizes she’s been manipulated, while Siuan acknowledges she may have misjudged her.
Moiraine asks Egwene to help her visit someone through dreamwalking. Though hesitant due to the dangers and her pact with the Wise Ones, Egwene agrees when Moiraine confirms it relates to what she saw in Rhuidean.
They enter Tel’aran’rhiod together, with Egwene guiding Moiraine to Siuan’s dream of her fishing hut in Tear. Moiraine warns the Amyrlin that Rand will lose the Last Battle if the White Tower does not bend the knee to him. The former lovers acknowledge their mistakes and shared past, with Moiraine rejecting reconciliation in this life but affirming her eternal love before they part.
After leaving Moiraine’s dream, Egwene continues exploring Tel’aran’rhiod on her own. She visits her friends’ dreams: Nynaeve teaching her daughter on a bridge, Elayne channeling as a Windfinder with Aviendha beside her, Mat as a nobleman caring for his sisters, and Perrin as a blacksmith with his wolf companion Hopper and Faile.
Finally, she sees Rand on a mountainside, the same place from earlier, but discovers him kissing Lanfear. Lanfear begins undressing Rand while maintaining eye contact with Egwene. The dream shifts to a flash of Egwene’s trauma while collared as a damane, with Lanfear’s hand at her throat.
Watch a Memorable Scene from “Tel’aran’rhiod”
Watch as Moiraine and Siuan reunite in the dreamworld for an impactful and consequential meeting:
Episode Highlights: Dreams and Destinies
“Tel’aran’rhiod” weaves multiple storylines while exploring the mystical World of Dreams. Three sequences stand out for their storytelling power:
- Moiraine and Siuan’s Dreamworld Reunion: Siuan and Moiraine’s meeting in the fishing hut from Siuan’s childhood balances political urgency with personal history. The sunlight streaming through the simple reed walls creates a warm setting for their conversation about past choices and shared regrets, recalling the events of Season 2, Episode 7. When Siuan suggests she’ll find Moiraine in the next life, again and again until they get it right, and Moiraine promises to “wait for her every time,” we witness the resolution of a relationship that has spanned decades, with both women acknowledging their enduring love even as they accept its end in this lifetime.
- The Sea Folk Channeling: The revelation of the Windfinders’ abilities might be the most beautiful sequence we’ve seen all season. As Elayne and Nynaeve watch from the deck, sweeping curtains of the One Power cascade across the night sky like magical auroras, propelling their vessel at impossible speeds. The scale and beauty of the channeling illustrate a truth about this world—that power exists in unexpected places, often hidden from institutions like the White Tower. Coine’s explanation that channeling can’t be controlled but must flow like the sea suggests why Nynaeve struggles with her abilities. Will she overcome her block through this seafaring wisdom?
- Egwene’s Dream Visitations: The final sequence shows Egwene visiting her friends’ dreams in Tel’aran’rhiod. Each snippet—from Nynaeve teaching her daughter how to listen to the wind to Mat as a wealthy lord providing for his sisters—provides glimpses into her friends’ deepest desires and fears. The journey ends in her discovery of Rand with Lanfear, the Forsaken declaring psychological warfare through deliberate eye contact as she seduces Rand. Happy tears and chills for Egwene… and viewers!
Character Moments: Reflections and Revelations
Each storyline in “Tel’aran’rhiod” provides characters with moments of clarity. These character beats reveal new facets while advancing their individual journeys.
Egwene al’Vere: The Natural Dreamwalker
Madeleine Madden brings Egwene’s evolution as a dreamwalker to life. Her initial uncertainty about entering Tel’aran’rhiod transforms into curiosity and natural talent when her belief transports her to Tar Valon. Madden shows Egwene’s absorption of the Wise Ones’ teachings through her attentive expressions and specific questions. Egwene’s willingness to help Moiraine despite the dangers demonstrates her growing self-assurance. Upon discovering Rand with Lanfear, her expression communicates complex feelings—betrayal, hurt, and awareness that the man she loves is slipping away.
Moiraine Damodred: The Burden of Foresight
Rosamund Pike shows Moiraine’s complex emotional state with care. In the opening scene with the Sakarnen, Pike physically expresses the euphoria and danger of wielding overwhelming power, her expressions shifting between ecstasy and strain. When Lan questions what she saw in Rhuidean, Pike’s evasiveness points to the burden she carries. Her confession to Lan later—“I won’t be at the Last Battle”—carries finality. Pike delivers this revelation with resignation rather than self-pity, suggesting that Moiraine has already accepted this fate as necessary. In her dreamworld reunion with Siuan, Pike balances emotional openness with unwavering purpose, creating a farewell that acknowledges their connection while maintaining the importance of their shared mission.
Siuan Sanche: The Isolated Amyrlin
Sophie Okonedo plays Siuan’s complex position as both the most powerful woman in the world and someone increasingly isolated by that power. Her confrontation with Elaida reveals the public performance required of the Amyrlin—regal authority that masks emotional reaction. When Elaida calls her “river trash,” Okonedo’s slight expression shift shows Siuan’s momentary wound before regaining composure. In her confession to Moiraine—“It should have been you in the Tower…I wish we’d never gone to Gitara’s study that day.”—Okonedo reveals the woman beneath the stole, someone who still dreams of escaping to a simpler existence. Her promise to find Moiraine in the next life carries sadness and hope, romantic ideals upheld beneath her hardened exterior.
Alanna Mosvani: The Strategic Visionary
Priyanka Bose reveals new dimensions to Alanna as her motivations for visiting the Two Rivers become clear. Her passionate declaration to Maksim—“The Last Battle is coming…we win battles with armies. And if no one else is going to build one, then I will”—shows a woman thinking strategically beyond Tower politics. As tensions rise between Alanna and Maksim, Bose conveys her frustration with his emotional demands and her guilt over his suffering through subtle facial expressions. When she reactivates their bond during battle, Bose shows Alanna’s underlying attachment, creating a character whose personal connections must work harmoniously with her larger purpose.
Maksim: The Loyal Avenger
Taylor Napier evolves Maksim through his confrontation with Alanna. His accusation—“I don’t care about Amyrlins or Dragons or the bloody Last Battle. The only thing I’ve ever cared about is Ihvon…and you”—reveals a man whose personal losses outweigh world-saving missions. Napier expresses Maksim’s accumulated grief and betrayal through emotional outbursts. His decision to hunt Liandrin shows a shift from defensive protector to proactive avenger. Yet when Alanna is in danger, Napier demonstrates their unbreakable connection through his desperate return and combat efficiency. The tenderness with which he cradles Alanna after the battle, murmuring “I have you,” contrasts with their earlier argument. Despite their differences, their bond goes beyond conscious choice.
Elaida do Avriny a’Roihan: Unfathomable Ambition
Shohreh Aghdashloo makes Elaida an engaging antagonist through calculated performances that leave her true motives uncertain. Her confrontation with Siuan balances deference and threat, calling the Amyrlin “river trash” while maintaining formal courtesies. Aghdashloo’s manipulation of Adeleas reveals Elaida’s efficiency, as she extracts critical information while appearing to show kindness. In her interrogation of the captured Black sisters, Aghdashloo shifts from cold executioner to torturer without hesitation. Her immediate killing of Amico suggests a woman with no patience for resistance, while her focused questioning of Joiya displays determination. When she realizes Siuan has manipulated her, Aghdashloo’s controlled reaction creates ambiguity—is her pursuit of Black Ajah sincere, or merely a path to power?
Coine Din Jubai Wild Winds: The Hidden Power
Despite limited screen time, Dany Verissimo-Petit brings foreign authority to Sailmistress Coine, creating a memorable character. Her initial strictness with the Aes Sedai party gives way to unexpected compassion when she teaches Nynaeve how to manage seasickness. When Elayne discovers they’re traveling impossibly fast, Verissimo-Petit’s performance reveals a woman accustomed to protecting her people’s secrets. Her statement about channeling—“There are many ways to be a channeler. Many ways to be a woman”—carries weight beyond its immediate context, suggesting the Sea Folk have developed a fundamentally different relationship with the One Power than the White Tower.
Dain Bornhald: The Broken Son
Jay Duffy presents a Dain Bornhald whose grief has curdled into self-destruction after Perrin killed his father in the Season 2 finale. His mood swings manifest in his contradictory behavior toward the Cauthon women, protecting them from Valda’s threats, then turning Natti over for questioning after she attempts to steal his keys. During camp scenes, Duffy’s unsteady gait and wild eyes communicate volumes about Dain’s deteriorating state, allowing months of resentment to surface in his performance. Through Duffy’s careful characterization, Dain emerges as a tragic figure torn between family loyalty, Whitecloak duty, and personal demons he attempts to drown in wine (or perhaps it’s oosquai).
Tel’aran’rhiod: Themes and World-Building
“Tel’aran’rhiod” expands our understanding of the world through new magical concepts and cultural details, as well as exploring characters’ inner landscapes.
Themes
- Dreams as Reality: The episode explores how dreams reflect and sometimes reveal our most authentic selves. Tel’aran’rhiod isn’t merely a metaphorical dreamscape but a parallel dimension where thoughts manifest physically and death is permanent. This concept extends beyond dreamwalking to various characters’ actual dreams—Siuan’s fishing hut represents her idealized past, and Rand’s mountain vista embodies his longing for simpler times. The episode suggests that our dreams reveal our authentic desires and fears in ways our waking selves might deny.
- Alternative Sources of Knowledge: Throughout the episode, characters discover that institutional knowledge is limited or flawed. The Aiel Wise Ones possess dreamwalking abilities the Tower has forgotten, with Melaine pointedly noting she cannot channel yet dreamwalks as well as Bair. The Sea Folk Windfinders demonstrate channeling techniques unknown to the Tower, while their Sailmistress offers Nynaeve insights about channeling that contradict Aes Sedai teaching. These revelations challenge the White Tower’s monopoly on magical knowledge and suggest that wisdom comes from diverse cultural sources rather than centralized authority.
- The Price of Foreknowledge: Multiple characters manage the burden of knowing potential futures. Moiraine’s experience in Rhuidean’s rings has shown her the necessity of her sacrifice for Rand’s success. Min’s sketches of Mat’s potential hanging reinforce how foreknowledge creates anxiety without necessarily providing means to change outcomes. The episode suggests that seeing the future can be as much of a curse as a blessing, creating responsibility without guaranteeing the ability to alter what’s coming.
World-Building
“Tel’aran’rhiod” introduces several significant concepts that expand our understanding of the world:
The World of Dreams is thoroughly explored and revealed as a parallel dimension accessible to trained dreamwalkers regardless of channeling ability. The rules established—thoughts manifesting as reality, the permanence of death, the possibility of entering others’ dreams—create a fascinating magical system distinct from channeling. The revelation that ordinary people occasionally stumble into Tel’aran’rhiod from their dreams, potentially explaining why “so many people die in their sleep,” adds an unsettling dimension to this otherwise wondrous concept.
Aiel Marriage Customs are revealed through Rhuarc’s introduction of his two wives, Bair and Lian. The formal exchange—“I ask leave to enter your hold, roofmistress” followed by “You have my leave, clan chief”—establishes that, despite their warrior culture, Aiel women hold significant domestic authority. The revelation that Bair is both a Wise One and Rhuarc’s wife adds complexity to Aiel social structures, suggesting that their leadership combines spiritual, martial, and domestic authority in ways unfamiliar to “wetlanders.”
Sea Folk Culture and Channeling develop significantly through their sailing techniques and attitudes toward the White Tower. The Sea Folk’s relationship with Aes Sedai—keeping their strongest channelers hidden—reveals political calculation, self-awareness, and independence.
The Sakarnen, the female sa’angreal Moiraine recovered from Rhuidean, demonstrates extraordinary power amplification. Unlike the angreal typically used by Aes Sedai, which provide modest enhancements, the Sakarnen appears capable of magnifying channeling ability exponentially. The opening scene shows Moiraine carving patterns into the desert floor with its power, a capability far beyond normal channeling. The fact that this sa’angreal was hidden in Rhuidean implies it has a specific role, like its Callandor counterpart.
Gray Men make another appearance through Jaichim Carridin’s attack in the Thirteenth Depository. His assault on both the Black Ajah prisoners and Elaida proves these soulless assassins can operate with specific targeting parameters rather than simply killing indiscriminately. We previously saw Moghedien create Carridin as a Gray Man in the season premiere, suggesting she plans to eliminate loose ends and maintain secrecy.
Tel’aran’rhiod: Insights and Observations
“Tel’aran’rhiod” balances multiple storylines while maintaining thematic coherence by exploring dreams, identity, and difficult choices. The episode’s emphasis on dreamwalking creates natural opportunities to explore characters’ deepest desires and fears while advancing the overall narrative.
The episode creates strong connections to earlier storylines throughout the season. Moiraine’s acquisition of the Sakarnen in “The Road to the Spear” pays off immediately as she tests its capabilities. Egwene’s ongoing trauma from her time as a damane in “Eyes Without Pity” returns both in her nightmares and in Lanfear’s manipulation.
The Sea Folk sequence offers an interesting perspective on female channelers outside the White Tower system. After “The Road to the Spear” revealed that Aiel Wise Ones like Bair can channel, this further challenges the White Tower’s monopoly on female channeling. These revelations, combined with the focus on Tel’aran’rhiod as a power not dependent on channeling, suggest a theme of diversifying magical systems beyond the One Power paradigm established in earlier seasons.
The political machinations in the White Tower between Siuan and Elaida continue to escalate with additional layers of complexity. What initially appeared to be a straightforward power struggle in “A Question of Crimson” has evolved into a nuanced game of feints and counter-feints, with Siuan using the Black Ajah threat to test Elaida’s loyalties. The fact that Elaida genuinely attempts to extract information from the captives suggests she isn’t a Darkfriend herself, complicating our understanding of her motivations and making her a more interesting antagonist.
The episode interweaves character development with cultural world-building through small details. Alanna’s revelation about raising an army from the Two Rivers is delivered during an emotionally charged argument with Maksim. Similarly, Coine’s lessons about channeling arise organically from Nynaeve’s seasickness. These moments demonstrate how character-driven scenes can advance personal arcs and expand our understanding of the world.
Lanfear’s targeting of Rand and Egwene suggests strategic calculation beyond romantic obsession. By allowing Egwene to witness her seduction of Rand, Lanfear drives a wedge between potential allies while asserting dominance over both. This approach reveals her as the most dangerous of the Forsaken, capable of exploiting emotional weaknesses with surgical precision.
When Egwene visits her friends’ dreams, she witnesses their deepest desires: Nynaeve teaching a daughter, Mat caring for his family as a wealthy lord, Perrin working peacefully as a blacksmith with Faile and Hopper beside him. These dreams reveal what each character wants beneath their waking concerns and conflicts. The fact that dreamwalkers can observe such personal moments raises interesting ethical questions about privacy and boundaries in a world where dreams are accessible to those with the right abilities.
Performance Spotlight: Madeleine Madden as Egwene al’Vere
Madeleine Madden shines bright as Egwene al’Vere in “Tel’aran’rhiod,” showing her character’s growth through emotional shifts and growing confidence. Throughout the series, Madden has created Egwene as a woman of exceptional determination and intellectual curiosity, but this episode features her unique sensitivity to the mystical. Madden’s posture shifts from rigid concentration to fluid wonder as she adapts to the World of Dreams, showing Egwene’s wealth of thoughts and emotions without requiring dialogue.
Madden’s performance during Egwene’s visits to her friends’ dreams is most impressive. As she moves from dream to dream, Madden expresses a mixture of emotions through micro-expressions—joy at seeing her friends’ deepest desires, curiosity as she observes these moments, and the mixed feelings of witnessing private hopes she wasn’t meant to see. When she discovers Rand with Lanfear, Madden’s expression transitions from shock to hurt to something else, recognizing that some distances cannot be bridged by sheer will.
Tel’aran’rhiod: Final Thoughts and Rating
“Tel’aran’rhiod” creates natural opportunities to explore characters’ deepest fears and desires while expanding the magical framework of the series beyond channeling. The multiple storylines—from White Tower politics to Two Rivers rescue missions to Tanchico-bound voyages—maintain momentum while developing thematic coherence by exploring hidden knowledge and personal sacrifices.
Rating: 8.5/10
With its strong balance of character development and mystical exploration, “Tel’aran’rhiod” proves that The Wheel of Time is valued as much for its people, cultures, and lore as it is for dark prophecies and spectacular battles.
Watch “Tel’aran’rhiod” Today
Experience Egwene’s journey into the World of Dreams, witness the powerful reunion between Moiraine and Siuan, and discover the hidden abilities of the Sea Folk Windfinders. Stream it now on Prime Video:
What did you think of “Tel’aran’rhiod”? Were you surprised by Egwene’s dreamwalking abilities? What do you think of Rand’s growing connection to Lanfear?
Craving for another episode? The next one is even better! Find out why with our review and recap of “The Shadow in the Night.”
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